Reading the Collections, Week 26: Discovery of the Microbial World
Antony van Leeuwenhoek is widely recognised as the person who discovered the microbial world and I have always been intrigued by this somewhat unusual and eccentric scientific pioneer. Although he received no formal higher education, Leeuwenhoek made some of the most important discoveries in the history of biology and opened up a previously hidden world filled with weird and wonderful microscopic creatures.
The Select Works of Antony van Leeuwenhoek Containing his Microscopical Discoveries in Many of the Works of Nature (1800, translated from Dutch to English by Samuel Hoole) sQH271.L2H7 encompasses a selection of the many letters which Leeuwenhoek wrote to the Royal Society of London between 1673 and 1723 detailing his new discoveries. Our copy is also bound together with A Description of the Muscles of the Human Body as they appear on Dissection, Carpue (1801), which addresses the readership simply as ‘Gentlemen’!
The eclectic breadth of Leeuwenhoek’s research is impressive: observations in this volume address subjects as diverse as the effects of acids in the human stomach, the nature of the sheep liver fluke and the different degrees of ‘goodness’ in fir timber. Samples gifted to Leeuwenhoek for his experiments include a whale’s eye preserved in wine from Isaac van Krimpen, the master of a Greenland-going ship and a packet from Sir Hans Sloane ‘containing three small maggots, two of which were dead, and the third alive, with a letter, informing me that they were found in a person’s decayed tooth, from whence they had been expelled by fumigation’. Leeuwenhoek developed simple single-lens microscopes to probe the structure of such samples and the resulting specimens are documented in his letters as a series of black and white engravings which exhibit a high level of detail and accuracy although no scale is included.
It is apparent that Leeuwenhoek’s life and his scientific investigations were bound up together: for him it was not mere work, more a meticulous recording of the innate joy he found in trying to understand how things work. In an experiment to observe whether it was possible to promote the growth of silkworms in the autumn Leeuwenhoek describes how some silkworm eggs were placed into a flat screwed box ‘which in the day time I carried in my pocket, and at night placed beside me in bed, that they might continually be kept warm’ and he adds that a further sample of eggs ‘my wife (who was always very warmly clad) constantly carried in her bosom’.
In another letter Leeuwenhoek describes viewing his teeth with a magnifying glass stating ‘I have observed a sort of white substance collected between them, in consistence like a mixture of flour and water’ and on further microscopic examination he records ‘that it contained many very small animalcules, the motions of which were very pleasing to behold’. This represents the first documented description of some of the microbes which are found in dental plaque.
Leeuwenhoek uses the term ‘animalcules’ meaning ‘little animals’ to describe the minute creatures he observed with his microscopes and this (now obsolete) word was adopted by other scientists and by wider society.
To his credit Leeuwenhoek does not seem to have been influenced by the accepted academic theories of the time such as that of spontaneous generation which espoused that simple living organisms could come into being spontaneously from inanimate substances. Leeuwenhoek (correctly) refuted the theory as is exemplified throughout this volume, particularly in relation to his observations of sea mussels and the weevil. Despite the findings of Leeuwenhoek and others, belief in spontaneous generation remained popular until the experiments of Louis Pasteur in 1859, although some debate still persisted.
Leeuwenhoek’s writings also reveal a deeply religious man. It appears that the more he discovered about the beauty and method of nature, the more he was sure of a heavenly creator at work. ‘When we duly consider this most perfect workmanship of the Divine Artist, we must confess, that those things which we discover by our microscopes and industry, are but as the shadow of those which hitherto remain concealed from us.’
Golf Collections Digitisation Officer